We met at the café for breakfast the next morning, as
planned. Ryan was in charge of the vending booth that day, so after breakfast,
Ondine took me on the bus and we visited her school. The campus was very well
tended to – all of the grassy areas were lush and mowed uniformly, and the
walkways were lined with small flowers and short trees. A large fountain stood
in front of the ornate mansion where Ondine resided and practiced on the
weekdays. She led me up the steps and into the school.
The
interior of the building had an aged, musky scent to it. The ceiling in the
foyer was tall, and an extravagant chandelier was suspended in the air, but the
room still felt dark. A secretary looked up from her mahogany desk. The floor
was wood-paneled, occasionally broken up by a fanciful rug, and the walls were
plastered with a deep red, Victorian-pattern wallpaper. I noted the various
marble busts and romantic-era paintings situated along the walls of the narrow
corridors as Ondine led my tour around the building. She first took me to the
housing area, to the left of the building. There were only about six rooms,
each which housed two students. I realized how exclusive this school really
must have been, and wondered why Ondine had felt so shameful about her dancing.
She
opened the door to her room without knocking, leading me to believe that she
either didn’t have a roommate, or that she knew her roommate was out. The room
was not large in area, but was spacious with high ceiling. Two queen-sized beds
in zealous bedframes sat at opposite sides of the room with a fireplace between
them on the wall. In fact, the room itself seemed to be symmetric; there were
two wardrobes, two nightstands, two lamps, and two dressers. The only thing
that was different was the door that we had entered through on one side, and
the door to the washroom on the wall opposite of the beds.
“You live
here?” It was the only thing I could think of to say.
Ondine
laughed. “Yeah, it’s a bit over the top, but underneath all of the décor, it’s
a prison camp.”
I looked
over to her. “What do you mean?”
“Let’s
just say my weekends are the only part of the week that I get to be myself.”
I
shrugged and we left her room and headed towards the other side of the
building. As we passed the secretary, she looked up at us again with a grunt.
Ondine ignored her, but I couldn’t help sneering back. Ondine first led me to
the dining room, which was just behind the foyer. It too was frivolously
decorated; a long, mahogany dining table and massive wooden chairs lined up
along the sides and the end of the table. Another fanciful chandelier hung over
the table, and similar paintings and statues were lined along the walls.
“This isn’t a castle, Adam,” Ondine
said, sensing my awe. “We rarely eat red meat and never, ever are served dessert.”
I scoffed. “Then what’s the point
of living?” I was obviously joking, but I did feel bad for her. She laughed,
then led me out of the dining room and to the next stop.
She
showed me one of the rehearsal halls; they seemed like the typical setting in
which most of ballet was documented. Everything was cliché; the floors, the
wall mirror, and the huge window to let in natural light. I wasn’t as impressed
with it as the living quarters, but she dismissed my disinterest at it and
excitedly explained how well it was constructed and how fun it was to rehearse
in. Her eagerness brought a smile to my face.
Next,
and final on my tour, was the theatre. Ondine instructed me to be extremely
quiet, as there was a dress rehearsal going on. I nodded and followed her as
she covertly opened one of the massive wooden doors and slid it shut as quietly
as possible behind her. The theatre wasn’t massive, but it was impressive. The stage was large and well-lit, and crimson
curtains were tied back at the sides. The detailing carved into marble just
above the stage was incredible. We sat in the back row and watched the dancers
on the stage rehearse in costume, listening to the music and the shouts of the
director. Ondine told me they were putting on the Nutcracker for Christmas, and
would be touring New York ballet theatres from the beginning of December until
New Year’s. I was fascinated at the prestige of this school, and the more it
proved its worth, the more puzzled I grew about Ondine’s lack of confidence.
The
dress rehearsal broke for water, so we slipped out while we had the chance. As
we walked back to the entrance, it occurred to me that Ondine hadn’t led me up
the huge staircase that was in the foyer. It wasn’t that I hadn’t noticed it.
It was just so cliché that it didn’t even register to me that there was an upper
level. I asked her about it, and she told me that the male dancers were
restricted to the upper level at night, so that romances could not be
entertained between students.
“What if
two girls…?” I began to ask the question, but the look on Ondine’s face made my
voice trail off. It wasn’t a look of repulsion or anything like that, but the
topic seemed sensitive, so I didn’t pursue it any further.
“Well,
that’s it,” Ondine sigh with a sigh, leading me out of the building.
“In its
entirety?” I asked. “It’s so big, it feels like it’ll never end.”
“Well,
there is one more thing,” she replied with a chuckle. “Follow me.”
“I could spend an eternity following you,” I
murmured to myself when she turned away and began to walk again. She didn’t
hear a whisper of it. I followed her compliantly.
Down a
tree-covered, cobblestone path we walked to find ourselves in a small, secluded
garden. At the end of the path was a white gazebo, and to the left of it was a
small pond. A rosebush wrapped around the edges of the gazebo, and a bare
cherry blossom tree stood on the other side of the pond. Ondine turned to me
and gave me the sweetest, most enchanting smile to date. Maybe it was the
trees, maybe it was the whole morning I’d spent with her, but in that moment I
realized I had fallen past the point of being saved.
But
I still had a long, long way to fall.
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